Just got back from the wonderful Soaring Gardens Artist Retreat, where I developed my SEVEN adaptations of Jane Austen’s ouvre for puppets with my good friend and collaborator D.T. Burns. We not only developed the scripts, but also built over 80 puppets and shot videos of the plays, which will be forthcoming on your internet machine to watch in 2023!
I simply cannot wait to see my 5-minute opera, THE BEGINNING OF EVERYTHING: A LOVE STORY, composed by Joshua Brown, presented in animated form with a live singer at this year’s Hollywood Fringe Festival.
New Opera West will feature THE BEGINNING OF EVERYTHING along with two other video projects at a two-night event at the Hudson Guild Theatre. Tickets are free, drinks are complimentary, and both evenings will be followed by a brief talkback with the artists (including me) – so come hang out!
This piece was animated by the talented Ankita Panda, and will have live vocals by Maria Lindsey. New Opera West will also release the animation in a digital format, with vocals by Colleen McGovern.
In just two days the digital reading of my play TOMORROW GAME will become available to stream! If you haven’t gotten your tickets yet, it’s not too late! They’re free and available here.
The video will drop at Noon EST on Thursday, January 28 and will be available to watch on-demand for 4 days. There will also be a live panel discussion of the play at 8:00 PM on Thursday!
Beyond thrilled to share that my play TOMORROW GAME will be featured by Virginia’s Barter Theatre in an online reading as part of their Appalachian Festival of Plays and Playwrights! Tomorrow Game is one of four new plays being supported by Barter in the festival, which is entirely free online and will have events spanning Tuesday, Jan. 26-Saturday, February 6.
TOMORROW GAME is directed by Associate Artistic Director Nicholas Piper and stars Barter resident actors Kim Morgan Dean and Paris Bradstreet.
The readings are recorded and lightly edited for a smoother zoom experience, and also received 6 hours of workshop prior to the recording! So, if you’re familiar with TOMORROW GAME you may still want to drop by for the very latest draft! Registration for the festival is here. The video will drop at noon on Thursday, January 28 and audiences will have all day to watch and the opportunity to tune in at 8:00 PM for a live discussion of the play, with feedback from a panel.
I can’t wait to see you there!
Previous support for the development of TOMORROW GAME includes the Edward Albee Foundation and the Kennedy Center. TOMORROW GAME was a recipient of the Kennedy Center’s Harold and Mimi Steinberg National Student Playwriting Award, and was a finalist for the Princess Grace Award.
Very happy to be included in this year’s digital version of In Their Own Voices, an event at Pittsburgh’s City Theatre where they showcase local talent by having playwrights read an excerpt from their own plays!
Here is me reading a bit of Act I of my play EVERYBODY’S DEAD: A COMEDY, with an introduction by Pittsburgh’s Co-Dramatists Guild Rep Mora Harris. EVERYBODY’S DEAD is part of the Bunker Cycle!
Was delighted to attend the Mid-America Theater Conference to develop my short play HOW TO BE A PERSON with dramaturg Matt Fotis and director Tyrrell Woolbert, starring Andre Garner and Julia Moriarty.
I learned a ton about the play and next steps for its development, and had a blast visiting my old stomping ground of Chicago!
Had the most glorious and productive weekend in Louisville workshopping my play EVERYBODY’S DEAD: A COMEDY at Actors Theatre. Directed by the brilliant Nora Gair, with dramaturgy & curation/casting by the divine Joshua Brown, I learned a ton about the play, added several scenes, and can’t wait for my next opportunity to share it!
Very excited to share that my graduate thesis play, How to Live Forever, will have a workshop production at City Theatre’s Hamburg Studio Theatre next week! The play is directed by the fantastic senior CMU director Nora Gair.
The event is free and open to the public, and tickets are first-come first-serve on the day of the performance. See the show: